R1 Photorealistic character portrait of a woman in her 30s, dark hair in a tight braid, mud spattere

R1 Photorealistic character portrait of a woman in her 30s, dark hair in a tight braid, mud spattered on her cheek, unmarked gray field jacket with no insignia, a ruggedized tablet strapped to her forearm, radio headset over one ear. Neutral three-quarter portrait, flat overcast mountain light, plain slate-gray backdrop, hard alert eyes, shot on 35mm, no text, no watermark, no logo. R2 Photorealistic product still of an autonomous ground vehicle in a mountain pass: a six-wheeled unmanned transport with a low armored hull, sensor mast with spinning lidar, mud-caked tires, scratched matte gray paint, no visible weapons, cargo straps across the deck, flat daylight, heavy mud and scratch texture, no text, no watermark, no logo. R3 Photorealistic cinematic still of a high mountain pass in fog: a wet single-lane road cut into a sheer rock face, a thousand-meter drop on one side, low cloud tearing across the road, pine silhouettes, patches of dirty snow, palette of slate gray, wet black rock and pale fog, extremely low contrast with one cold highlight, fine 35mm grain, no people, no text, no watermark, no logo. VIDEO PROMPT (30s) A 30-second technology-thriller on a fogbound mountain pass. Use R1 for the convoy controller's exact face and jacket in every shot; R2 for the autonomous vehicles' exact design; R3 for the pass, fog, rock face and full color grade. Photorealistic, cinematic realism, no cartoon, no 3D. This is a fictional logistics scenario with no real army or nation; no weapons are used, no combat, no injuries. 0-6s: Fog pours across a wet mountain road. Four unmanned six-wheelers grind up the pass in perfect spacing, lidar masts spinning, no one aboard. The controller walks behind the last vehicle, watching her forearm tablet rather than the road. 6-12s: The lead vehicle slows, stops, and reverses six inches. All four halt in sequence. Extreme close-up of the tablet: the position markers are drifting sideways off the road line while the vehicles themselves have not moved. Something is lying to them. 12-18s: She kills the network link with two taps. The lidar masts stop spinning. Total fog silence. She walks the length of the stalled convoy in the mist, ducks under a hull, and physically pulls a connector, working by hand and by eye. 18-24s: Guiding them manually: she walks backward in front of the lead vehicle with two raised hands, steering six tons around a collapsed shoulder of road with a hundred-meter drop centimeters from its outer tire. Macro of mud crumbling away from under the tread. 24-30s: The last vehicle clears the gap. She leans on the hull, exhales, and restores the link; the lidar masts spin up again in sequence like the convoy waking. Extreme wide from above: four small vehicles and one small figure disappearing into a wall of fog. Keep the same controller and the same vehicle design in every shot. Sound: wind and dripping rock, diesel-electric hum, spinning lidar, tablet alert chirps, boots in mud, and long fog-muffled silences.