Transition to a LONG-LENS SHOT across the rice fields. Four or five children run in the distance, ex

Transition to a LONG-LENS SHOT across the rice fields. Four or five children run in the distance, excitedly chasing the kite. The smallest child suddenly trips and tumbles into the grass, then quickly gets back up with a big grin and continues running. EFFENDI watches the children from a distance, smiling warmly. SHOT 6 — 31–36s Visual: MEDIUM CLOSE-UP from a slightly elevated angle. EFFENDI stands beneath a shady tree. Leaves gently flutter overhead while dappled sunlight moves softly across his face. He closes his eyes for a moment, enjoying the cool breeze. He then opens his eyes, looks toward a distant roadside warung, and begins walking toward it. SHOT 7 — 36–42s Visual: LOW MEDIUM SHOT beside the warung counter. EFFENDI enters the stall and sits down at a simple wooden table. A steaming cooking pot is visible behind him in soft focus. Cut to a MEDIUM SHOT from behind the counter. BU LASTRI looks up, smiles warmly, and reaches for a bowl. Dialogue: EFFENDI: “Bude... soto kaya biasa ya.” BU LASTRI (calm and warm): “Aduh, Nak EFFENDI... akhirnya pulang juga. Duduk dulu, Bude buatkan.” SHOT 8 — 42–49s Visual: CLOSE-UP of BU LASTRI's hands preparing the soto. She places chicken, noodles, and bean sprouts into the bowl. Transition to a HIGH-ANGLE SHOT looking directly into the bowl as rich golden broth is ladled over the ingredients. Steam gently curls upward. Transition to a MACRO CLOSE-UP as she adds fresh celery, fried shallots, and koya. She squeezes fresh lime into the bowl and adds sambal. Emphasize the appetizing textures, rising steam, warm lighting, and detailed food preparation. SHOT 9 — 49–56s Visual: LOW TABLE-LEVEL SHOT as the bowl is gently placed in front of EFFENDI. Steam drifts toward the camera. Only the wooden table and the interior of the warung are visible. IMPORTANT: NO leaves, trees, or outdoor foliage in this shot. EFFENDI notices that the lime and sambal have already been added exactly the way he likes them. He smiles softly. Transition to a MACRO TOP-DOWN SHOT. EFFENDI scoops up a full spoonful containing broth, chicken, noodles, and bean sprouts clearly visible together on the spoon. Cut to a CLOSE-UP as he eats the spoonful slowly. He chews gently and closes his eyes, savoring the familiar taste. No dialogue. SHOT 10 — 56–60s Visual: WIDE SHOT from inside the warung looking outward. EFFENDI calmly eats his soto while BU LASTRI wipes a glass and watches him warmly. Beyond the stall, the rice paddies ripple gently toward distant mountains. The camera slowly pulls backward and rises outside the warung, revealing the entire scene: The small roadside stall beneath the shady tree, thin smoke rising into the air, vast green rice paddies stretching toward the mountains, and clouds slowly drifting across the sky. The environment remains alive with subtle natural movement until the final frame. NO TEXT. NO TITLES. NO CAPTIONS. End peacefully and naturally.