Use @[character ref] for the heroine, outfit, anime style and single red spiked bat. A 30-second str

Use @[character ref] for the heroine, outfit, anime style and single red spiked bat. A 30-second street action sequence with frequent bat flourishes, group head strikes and pounding electronic music. Zombies approach on foot, empty-handed. She runs and pivots on planted steps; no sliding, jumping or glass passage. Head contact produces small white flashes; zombies recoil, fall and stay down without blood or visible wounds. Keep her route on clear asphalt. Cameras stay on the same side of her left-to-right travel. Use rapid hard cuts, low tracking, oblique wides and hand close-ups between attacks. Widen before every backswing; hold all head contacts, full follow-through and initial recoil with her feet, complete bat arc and targets visible. Transfer only the wrapped handle, receiving hand gripping before release; the spiked barrel circles outside her body. Red trails follow one solid bat and never hide contact. Hard fire-escape shadows stripe the route. 0-4s: Open close at hip level: her fingers control the wrapped handle through one fast, clean bat rotation as she runs. Cut wide while she is still approaching, revealing two zombies side by side on a shallow arc ahead, both within reach by her next planted step. She draws back and sweeps horizontally: first head contact, its recoil clearing the arc, then second head contact and full follow-through. Cut with their sideways falls into another brief grip close-up as she rolls the cleared bat into an outside recovery twirl. 4-8s: Two attackers approach at staggered distances. An oblique full-body track shows a rising diagonal head strike against the nearer one. Cut close during recovery: the wrapped handle passes behind her back, the receiving hand closing before release. Return wide before the next backswing and show the complete second head strike. Both bodies fall out of her lane. The impacts land on consecutive heavy musical accents. 8-11s: A short hand close-up shows a wrist-led circle outside her hip, then her second hand securing the grip. Cut wide to two close attackers on the same open swing arc. She steps into a reverse sweep, visibly connecting with the first head, clearing that recoiling body, then hitting the second. Hold the full combination and follow-through before cutting as she runs past both fallen bodies. 11-16s: A high-angle reveal establishes the intersection ahead: a faded white stop line crosses her lane, and a blue-shuttered shop marks the far corner. A dense horde approaches from beyond that line. In the nearer street, three zombies close from ahead and the far curb. Cut lateral as her figure-eight bat flourish becomes three distinct head strikes: rising diagonal, returning diagonal, horizontal finish. Planted dance-like steps bring each target into reach; each hit clears that body from her route. Cut between completed strikes, keeping the bat visible. Giant red trails weave intersecting rhythm shapes. 16-20s: Several strides before the same stop line, two zombies converge from the lane edges. Once both are within reach, her diagonal step aligns them on a shallow arc. A shoulder-side bat circle becomes a two-handed sweep; a low three-quarter tracking wide shows both head contacts and bodies thrown clear. She recovers into a brief twirl and runs through their gap. Keep this shot moving with her: the stop line is ahead, the blue-shuttered shop stays at the far corner, and the final pair leads the horde beyond the line. 20-22s: Continue that same tracking shot without a cut. She takes shorter braking steps toward the stop line, finishes two quick outside bat circles and regrips with both hands. Their red trails curl back onto the spiked barrel and compress into a dense glow. She plants just before the line as the final pair advances from the intersection into reach. The camera decelerates beside her, keeping her on screen-left and the pair and horde on screen-right. No new run-up or position reset. 22-30s: Continue the same low oblique full-body view across the time boundary. Her feet remain just before the stop line; both zombies' heads lie within one swing arc. Time slows across the whole frame as she coils, red bands tightening and pulsing around the spikes, both hands locking the wrapped handle. Music drops to breath. Accelerate into the final sweep, holding both successive head contacts, recoil and full follow-through. The second contact releases the stored energy along the bat's arc; bass detonates. Only now cut to an elevated wide from the same side: her planted position, stop line and blue shop remain fixed. The red crescent expands across the street, hitting the nearest row, then successive rows farther away, throwing the horde outward. Cars rock onto two wheels and slam down; dust follows the wave. Finish from a rear three-quarter angle on the same camera side, her feet still beside the line, the cleared street stretching ahead as the bat's glow fades.