Use the UPLOADED CHARACTER IMAGES as strict visual references. Preserve both characters’ exact appea

Use the UPLOADED CHARACTER IMAGES as strict visual references. Preserve both characters’ exact appearance, proportions, clothing, colors, facial features, silhouettes, and painterly animated-film style throughout. Do not redesign, merge, replace, or alter either character. Create a cinematic 30-second animated comedy scene in a quiet, elegant dining room. The gothic girl and small brown bear sit opposite each other at a small table. Between them is ONE final marmalade sandwich on a plate. The humor comes from their contrasting personalities: the girl is completely serious and expressionless, while the bear is cheerful, polite, and determined. No dialogue. 0–4s — THE DISCOVERY: Both notice the sandwich at exactly the same time. They slowly look at it, then at each other. A completely serious silent standoff. 4–8s — FIRST MOVE: The bear politely reaches for the sandwich. Before he can grab it, the girl calmly slides the plate toward herself. The bear pauses, then politely slides it back. She slides it back again. They repeat this once, both remaining completely calm. 8–12s — THE GAME: The bear tries reaching from the side. The girl simply rotates the plate away from him. He follows it around the table. She rotates it again. The bear stays cheerful and patient while the girl remains completely deadpan. 12–16s — TUG OF WAR: The bear places both paws on the plate. The girl places one hand on the opposite side. They stare at each other. They slowly pull the plate back and forth. Their movements are controlled and serious, making the situation increasingly ridiculous. The tea cups gently rattle. 16–20s — THE ACCIDENT: The plate suddenly slips free. The sandwich launches into the air. Both characters immediately reach for it. The bear lunges across the table while the girl quickly stands and catches the sandwich just before it hits the floor. 20–24s — THE VICTORY: The bear looks impressed. He holds the empty plate beneath the sandwich, politely waiting for her to return it. She stares at him, then calmly takes a bite instead. 24–27s — THE TWIST: The bear pauses, then reaches inside his coat and proudly pulls out ANOTHER marmalade sandwich. He places it on the table with a cheerful smile. 27–30s — THE END: The girl slowly looks at the second sandwich, then at the bear. Without changing her expression, she takes the second sandwich too and places both sandwiches in front of herself. The bear freezes, then accepts defeat with a small cheerful smile. She takes another bite completely deadpan. End on the awkwardly wholesome moment. STYLE: Rough hand-painted animated-film concept art with visible brush strokes, textured paint, loose imperfect edges, expressive shapes, painterly lighting, and natural color variation. Avoid photorealism, glossy CGI, plastic 3D rendering, anime styling, or overly polished digital surfaces. CAMERA: Use varied cinematic framing: medium shots, slow push-ins, reaction close-ups, hand close-ups, and a wider shot for the physical comedy. Briefly follow the sandwich when it flies through the air. Keep every action readable. ANIMATION: Natural body mechanics, believable object physics, precise comedic timing, escalating physical comedy, and clear cause-and-effect. Keep expressions restrained. No random movement. Maintain perfect character consistency throughout. No duplication, disappearing limbs, costume changes, facial redesigns, altered proportions, dialogue, subtitles, text, logos, watermarks, or additional characters.