Generate a new 30-second live-action music video. @Video 1 is a MOTION REFERENCE ONLY. REFERENCE RO

Generate a new 30-second live-action music video. @Video 1 is a MOTION REFERENCE ONLY. REFERENCE ROLES — STRICT: - @Video 1: take only the camera angles and moves, shot sizes, cut timing, body poses, gestures, head turns, walking paths, lip timing and its audio track. Its two people are faceless motion-capture stand-ins: never copy their faces, eye color, hair, makeup, clothing or their background. - @Image 1: the only source for the man's face, eyes, hair and outfit. - @Image 2: the only source for the woman's face, eyes, hair and outfit. - @Image 3: the only source for the location layout, architecture and props. Do not copy its saturated HDR color. THE MAN — identical in every frame and every shot size: photoreal East Asian man in his early twenties from @Image 1, sharp jawline, straight thick dark brows, deep-set almond eyes with vivid jade-green irises, both eyes the same color, faint thin scar marks under both eyes as in @Image 1 "B. With Scars", dark brown hair in a low messy bun with loose strands framing the face. Long black hooded coat worn open, grey henley with lace-up neckline, black slim trousers, black leather lace-up combat boots. THE WOMAN — identical in every frame and every shot size: photoreal East Asian woman in her early twenties from @Image 2, soft oval face, dark charcoal-grey eyes that read almost black, small nose, natural rose lips, light natural makeup, faint thin cheek scar as in @Image 2, short jet-black bob with long bangs. Off-white long-sleeve button shirt with rolled cuffs, brown leather chest and thigh straps with brass buckles, worn crimson knitted scarf, dark olive trousers, tall brown leather knee-high boots. Her eyes are never green, hazel or light. She never wears a red sleeveless top, shorts, thigh-high stockings, a headband or pink hair. LOCATION (@Image 3, one fixed geography): a long weathered red-painted wooden pier runs from a pebble beach out into a clear mountain lake and ends in a square wooden platform. Short red wooden posts line the pier; no tires anywhere. The vermilion torii stands in the water beyond the end of the pier. Dark-wood lake houses with red paper lanterns and cherry blossom trees line the left shore, a wooden rowboat is moored by the beach, a pagoda sits on the forested hillside, layered mountains behind. Sun high on the right, backlighting the scene. No crests, emblems, signs or text anywhere. SHOTS (match @Video 1 timing and camera exactly): ~0:00–0:04 he sits alone on the edge of the pier near its end, legs hanging over the water, gazing toward the torii, then turns his head over his shoulder; she walks along the pier from the shore toward him. ~0:04–0:06 medium close-up of her singing on the pier, sun glitter on the lake behind her. ~0:06–0:09 low camera just above the water, from the side: they sit side by side on the edge of the pier, legs dangling over the lake. She sings and leans toward him; the side of his head and bun in the foreground. Behind them, open shimmering water, the torii and the mountains. ~0:09–0:12 she stands on the pier singing, then reaches both hands toward the camera; lake houses and cherry trees behind. ~0:12–0:15 close-up on the pier, she sings with a hand on her chest, then touches her neck and hair; lake water and blossoms as soft bokeh behind. ~0:15–0:18 she walks along the pier toward the camera through drifting cherry blossom petals; houses, cherry trees and pagoda behind. ~0:18–0:20 wide shot from the base of the pier: both of them stand on the platform at the end of the pier, the torii and mountains beyond. Even at this distance he is clearly in his long black coat with his hair in a bun, and she is clearly in her off-white shirt, crimson scarf, dark olive trousers and brown knee-high boots. ~0:20–0:24 she is at the water's edge beside the pier, singing, then hugs her arms; behind her the open lake and the pier stretching out over the water. ~0:24–0:26 the same lake at sunset: wide shot from behind, both sitting on the edge of the pier in the same spot as 0:06, legs over the water, the sun sinking behind the mountains, the torii in silhouette, a golden path across the water. ~0:26–0:29 close two-shot at the same pier edge in warm sunset light, she sings softly looking at him, the side of his head in the foreground, golden water behind. PERFORMANCE: she is tender and alive. Eyes fully open with bright catchlights, warm gaze into the lens, inner brows lifting softly on long notes, a small smile between lines, a slight head tilt toward him. She lip-syncs every vocal line of the audio with accurate, natural mouth shapes, never sleepy or blank. He does not sing; he glances at her, jaw relaxed, a faint smile. INTEGRATION: both are physically filmed in this place. The same sun lights them, backlight rimming hair and shoulders, soft bounce from the water filling their faces, contact shadows on the planks, reflections in the water below their feet, lake wind moving her bangs, scarf fringe and his coat hem. FILM LOOK, one cohesive grade for the whole film: a high-end music video shot on ARRI Alexa 35 with anamorphic lenses and a light Black Pro-Mist filter, Kodak 2383 print-film color. Realistic and rich but never oversaturated: natural deep teal lake, softly muted spring greens, delicate blush cherry blossoms, vermilion torii and lanterns as accents, warm honest skin, deep detailed shadows, smooth highlight roll-off. Bloom and glare come only from real light (the sun, sun glitter on the water, bright sky, white blossoms), halating softly through the lens, with veiling glare and gentle horizontal anamorphic flares when the camera faces the sun; at sunset the whole frame turns warm amber and the flares are strongest. Shallow depth of field, oval anamorphic bokeh, fine film grain. Faces stay crisp with real skin texture and moist eyes. No HDR look, no overlay filter, no beauty filter, no glow attached to the characters, no CGI look. CONSTRAINTS: faces, eye colors, hair and outfits always match @Image 1 / @Image 2 at every distance; location always matches @Image 3. No tires, no emblems, no logos, no UI, no text, no subtitles, no extra people. Soundtrack = audio of @Video 1, unchanged.