A 20-second vertical 9:16 surreal fashion film. Use the attached reference image as the style and ch
A 20-second vertical 9:16 surreal fashion film. Use the attached reference image as the style and character reference (the woman, the mint striped sofa, the teal river, the flower hills, the planet). One stylish woman with a platinum-white pixie cut travels through a dreamlike pastel landscape of flower-covered mountains: she drifts down a teal river on a striped sofa, rides a floral-patterned unicorn, drives a striped flower-decorated convertible and cycles away along a winding teal road. The video starts already in motion and ends on a wide shot of her riding toward the mountains under one floating ringed planet. MAIN SUBJECT One adult woman in her late 20s, athletic slim build, fair skin, calm editorial expression. Sleek platinum-white pixie cut, round gold-rimmed sunglasses with dark lenses, matching red-and-cream vertical-striped jacket and trousers in thick opaque cotton with a tailored cut, cream flat shoes. The same outfit, hair and sunglasses in every shot. LOCATION Fully fantastical dreamscape, not a real place. Foreground: giant decorative flowers about 2 metres tall (yellow dahlias, red poppies, white calla lilies). Middle ground: rolling hills carpeted with millions of tiny pink, white and violet blossoms, a deep teal sparkling river and a winding deep-teal road. Far background: towering mountains about 300 metres high with a soft porous sponge-like surface in peach, lavender and butter-yellow. Pale turquoise clear sky with ONE large lilac ringed planet hanging above the mountains, always in the same place. CONTINUOUS STORY 00:00-00:05 SOFA ON THE RIVER Opens already in motion. Medium-wide three-quarter shot at low eye level. A vintage two-seat sofa upholstered in mint-and-cream vertical stripes with tangerine-lacquered armrests floats like a boat on the teal river, its base about 10 cm under the surface, small ripples spreading around it. She sits upright with legs crossed, one hand holding a long flower stem, the other resting on the armrest. The river carries the sofa slowly toward the camera and to the right. At 00:03 she slowly turns her head toward the camera. At 00:04 a giant yellow dahlia in the foreground sweeps across the lens and wipes the frame. 00:05-00:10 UNICORN ON THE RIVER BANK The dahlia wipe reveals a side tracking medium-wide shot, camera moving left to right at the same speed as the animal. She rides a graceful pearl-white unicorn with a spiral horn, a mane and tail of yellow and orange flowers, and a body painted with floral patterns in tangerine, teal and yellow. A flower garland serves as reins. The unicorn canters through shallow water along the bank: each stride a hoof strikes the water, a spray arc lifts, the hoof lands. Her body rises and settles with the rhythm, one hand on the mane, the other holding the garland, her pixie cut barely moving. 00:10-00:15 STRIPED CAR Medium close-up tracking shot alongside the car, the car moving left to right. She drives a vintage open-top convertible in mint-and-cream stripes with tangerine chrome bumpers and garlands of flowers on the hood and doors. Both hands on a thin cream steering wheel, her face and hands visible. The car rolls on smooth teal asphalt along the winding road between flower hills, wheels turning, petals blowing backward, her sunglasses catching the sun. 00:15-00:20 BICYCLE FINALE Three-quarter rear tracking shot that slowly pulls out to a wide shot. She cycles a pastel peach-and-lavender vintage bicycle with a woven basket of flowers along the same winding teal road toward the gap between two giant mountains. Pedals turn, striped trouser legs pump, cream shoes on the pedals, both wheels spin forward, the basket sways slightly. At 00:18 she glances over her shoulder at the camera with a confident smile, then faces forward again.