20-second single continuous shot, 16:9. Use @image1 as the exact opening frame and preserve the woma

20-second single continuous shot, 16:9. Use @image1 as the exact opening frame and preserve the woman, her short black bob haircut, facial identity, tiger-striped couture dress, giant ancient trees, branch geometry, lighting, colors and environment. Ultra-photorealistic live-action cinematography, photographed like a real large-format cinema camera. Real human skin, real fabric, real tree bark, real animal fur, natural physical weight and believable anatomy. Everything must feel physically filmed on location. 0:00-0:04 — Start exactly from @image1. The woman remains seated on the huge tree branch, staring directly into camera with calm confidence. Only subtle breathing, tiny movements of her hair and dress fabric. The camera begins an extremely slow controlled push-in. Strong immediate eye contact. 0:04-0:08 — She slowly rises to her feet on the branch. Her enormous tiger-striped dress drags naturally across the rough bark with realistic weight and friction. The camera begins a smooth clockwise arc around her while continuing to move slightly closer. Keep her centered in frame. 0:08-0:12 — She begins walking elegantly along the branch. A massive foreground tree trunk naturally passes between the camera and the woman as the camera continues the same uninterrupted circular travelling movement. The trunk progressively hides her body from view. No cut. Behind this natural foreground occlusion, her body begins a physically believable transformation from human into a real adult Bengal tiger. The transformation must feel organic and anatomical rather than digital: body posture lowers, shoulders and spine change proportion naturally, hands and feet become weight-bearing paws, human skin and tiger-striped clothing transition into dense real orange-and-black fur. Preserve the visual tiger pattern already established by her dress. 0:12-0:15 — As the camera clears the foreground trunk, reveal a completely real living Bengal tiger occupying exactly the same position and direction of movement. Show only the final subtle stages of the transformation: realistic fur settling over the shoulders, paws making firm contact with bark, natural muscular movement beneath the coat. The tiger must have correct anatomy, proportions, weight and locomotion. 0:15-0:20 — Without stopping the shot, the camera slowly retreats along the branch as the tiger walks directly toward the lens. Low slightly frontal perspective, shallow cinematic depth of field progressively increasing on the tiger's eyes. The tiger remains calm but intensely focused on camera. Its shoulder muscles move naturally beneath the fur, paws compress against the bark, whiskers and fur react subtly to the air. During the final two seconds the tiger comes very close to the lens, its eyes filling the viewer's attention, then gives one subtle controlled exhale while maintaining direct eye contact. Keep the transformation elegant, unsettling and believable, never grotesque. Maintain continuous spatial geography and consistent lighting throughout the entire shot. Natural motion blur, realistic lens behavior, realistic depth of field, subtle imperfect physical camera inertia. Natural synchronized location sound only: subtle wind through branches, fabric moving against bark before the transformation, tree creaks, realistic paw contact on wood, quiet tiger breathing in the final approach. No cuts. No transitions. No teleportation. No flash. No magical particles. No glowing effects. No supernatural light. No liquid-metal transformation. No smoke transformation. No cartoon transformation. No 3D-render appearance. No CGI appearance. No VFX aesthetic. No animation look. No video-game graphics. No plastic fur. No waxy skin. No rubber anatomy. No duplicated limbs. No extra paws. No malformed tiger anatomy. No unstable face before the occlusion. No changing tree geometry. No changing environment. No camera shake. Preserve photorealistic live-action realism from beginning to end. no music, no subtitle

@minuitIA2

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