Create a 15-second fast-paced cinematic adult animated scene. @ TAG girl and @ TAG wolf are lying f

Create a 15-second fast-paced cinematic adult animated scene. @ TAG girl and @ TAG wolf are lying fully dressed on the bed at night inside @ TAG bedroom, casually scrolling on their phones. The room is dark, quiet, and dimly lit by faint night light and phone glow. Preserve the worn, dystopian, lower-end atmosphere. IMPORTANT: Use clear cinematic shot changes. Keep pacing sharp and efficient. Avoid unnecessary camera movement. NO music. Use only subtle room ambience, faint house sounds, bedding movement, phone sounds, and dialogue. SHOT 1 — FRONT TIGHT CLOSE-UP ON GIRL GIRL is scrolling on her phone. A suspicious noise, like someone breaking in is heard behind the door. Her eyes snap up immediately. Her expression changes fast: relaxed → startled → wide-eyed suspicious concern. She looks toward the bedroom door, then toward WOLF. Quiet, nervous, slightly dramatic: “Babe… I heard something behind the door.” SHOT 2 — MEDIUM TWO-SHOT ON BED Both are still lying on the bed with phones. WOLF barely reacts. Sleepy and dismissive: “Probably nothing.” GIRL gives him an exaggerated annoyed look, clearly unimpressed. SHOT 3 — CLOSE-UP ON GIRL GIRL looks toward the door, then back at WOLF. She clearly does not want to go herself. Bratty, insistent, almost like an instruction: “Can you check?” Her expression clearly says: “You’re going.” SHOT 4 — MEDIUM SHOT ON WOLF WOLF pauses. Long, heavy, tired sigh. He puts his phone down and reluctantly starts moving to get up. SHOT 5 — TIGHT CLOSE-UP ON NIGHTSTAND WOLF’s hand reaches toward the nightstand. A pistol is clearly visible. He calmly grabs it. CUT IMMEDIATELY. END HERE Extend @ TAG video directly from its exact final frame. WOLF has already picked up the pistol and is getting up beside the bed. GIRL remains tucked under the covers, exactly as shown in the original video. IMPORTANT: Use ONLY hard cuts between shots. NO tracking shots, camera slides, whip pans, or continuous camera transitions. Keep the pacing fast, sharp, cinematic, and comedic. NO music. Use only subtle nighttime ambience, natural object sounds, and dialogue. SHOT 1 — TIGHT CLOSE-UP ON WOLF'S HANDS Continue directly from WOLF getting up beside the bed with the pistol already in his hand. Tight cinematic close-up of his hands as he briefly prepares the pistol. The action is calm, quick, and routine, not heroic or dramatic. A sharp metallic click breaks the silence. SHOT 2 — MEDIUM SHOT ON WOLF WOLF is standing beside the bed, pistol in hand. Just as he is about to head toward the bedroom door, GIRL suddenly calls out from the bed, OFF-SCREEN: "Wait." Her tone is abrupt and slightly bratty, like she has just remembered something. WOLF stops and turns his head toward her. He looks tired and mildly irritated at being interrupted again. In his SAME deep, gravelly, restrained voice: "What?" SHOT 3 — CLOSE-UP ON GIRL GIRL is still comfortably tucked under the covers. She casually picks up her empty drinking glass from the bedside table and lifts it toward WOLF. Her expression is innocent, expectant, and slightly spoiled. In her SAME bright British voice, sweetly and casually, as though making a completely reasonable request: "Since you're up… can you fill this?" She holds the empty glass out toward him. She genuinely expects him to bring her water. SHOT 4 — CLOSE-UP ON WOLF WOLF stares at GIRL in complete deadpan disbelief. His eyes briefly move toward the empty glass, then back to her face. He remains completely silent. His expression communicates exhausted irritation and disbelief. He is standing there with a pistol, preparing to investigate a potentially dangerous noise, and she has casually asked him to fetch water. Do NOT make him overly expressive. SHOT 5 — MEDIUM CLOSE-UP ON GIRL GIRL notices his silence. Without saying anything else, she demonstratively shakes the empty glass twice toward him. She playfully imitates the sound of a glass with her OWN VOICE: "Clink, clink!" SHOT 6 — TIGHT CLOSE-UP ON WOLF WOLF looks directly at GIRL. A brief, exhausted silence. His expression remains completely deadpan. In his SAME deep, rough, masculine voice, with dry, mildly irritated certainty: "You have legs." Deliver the line calmly and bluntly. No smile. No raised voice. No exaggerated expression. He says it as if stating the most obvious fact in the world. SHOT 7 — CLOSE-UP ON GIRL CUT TO GIRL AS WOLF DELIVERS HIS FINAL LINE. Her face instantly freezes in COMPLETE SHOCK. Her eyes widen dramatically. Her mouth falls open in absolute disbelief. She is so stunned by his answer that she completely forgets about the glass she is holding. Her fingers loosen involuntarily. The empty glass SLIPS OUT OF HER HAND. SHOT 8 — TIGHT CLOSE-UP ON THE FLOOR The glass hits the floor and SHATTERS. A sharp, loud glass-breaking sound. The crash should be sudden and unexpected, emphasizing how completely shocked GIRL is by WOLF's answer. IMMEDIATE HARD CUT TO BLACK