Duration: 30 seconds Aspect ratio: 16:9 Style: Photorealistic cinematic live action Frame rate: 25 f

Duration: 30 seconds Aspect ratio: 16:9 Style: Photorealistic cinematic live action Frame rate: 25 fps with natural 1/50-second shutter motion blur Music: Original alternative rock with electronic textures, approximately 100 BPM CORE DIRECTION Create an emotionally intense rock-performance film inspired by Linkin Park’s blend of alternative rock, electronic textures and forceful band performance. Feature an original six-member band with consistent identities. Combine the uploaded reference video’s aging manor, intimate wide-angle portraits and muted vintage colors with powerful live-performance energy. Use original music and voices throughout; do not reproduce existing lyrics, melodies, samples or a specific singer’s vocal identity. SETTING & CONTINUITY An abandoned manor ballroom featuring cracked botanical wallpaper, dark wooden panels, worn parquet flooring, exposed plaster, tall windows and an adjoining narrow hallway. A real drum kit stands at the rear. Guitar and bass amplifiers sit along the sides, with an electronic sampler on a stand. Instrument cables lie naturally across the floor. Maintain consistent room geography, equipment placement, window positions and hallway access throughout every shot. BAND — EXACTLY SIX MEMBERS Lead vocalist: Short dark hair, lean build, charcoal T-shirt, dark trousers and worn black boots. Uses a handheld wired microphone. Second vocalist / electronics performer: Cropped black hair, dark overshirt, grey T-shirt and black trousers. Guitarist: Distinct face, understated dark clothing and the same guitar throughout. Bassist: Distinct face, understated dark clothing and the same bass throughout. Drummer: Distinct face, understated dark clothing, performing on the rear drum kit. Sampler / turntable performer: Distinct face and understated dark clothing, positioned at the electronic station. Preserve each member’s face, hairstyle, outfit, role and instrument across all shots. TIMED SEQUENCE 00:00–00:05 — RESTRAINED TENSION Open in an extreme close-up of the lead vocalist’s hand gripping the microphone. Its cable hangs with natural weight. Tilt up to his face. His head is lowered; he breathes quietly. As he looks up, a cold window reflection catches his eyes. Cut wide to reveal the band waiting in the dim ballroom. A faint electronic pulse begins. The drummer lifts his sticks into position. 00:05–00:10 — THE FIRST IMPACT On a strong drum accent, the full band enters. Use a low 18mm shot near the guitarist. His picking hand strikes the strings while his fretting hand holds a believable chord. The strap visibly supports the guitar’s weight. Hard cut to the drummer landing a snare hit, followed by a cymbal strike. Show clear stick contact and realistic cymbal flex and vibration. Push toward the lead vocalist as he steps forward and brings the microphone to his mouth. 00:10–00:15 — CLOSE, RHYTHMIC DELIVERY The second vocalist delivers this original rhythmic English line: “I kept my voice behind these walls.” Track beside him at chest height as he takes two steps toward the lead. His gestures remain compact and rhythmically precise. Cut to a tight portrait of the lead listening, jaw tense, then to the bassist plucking in time. Keep all visible playing physically credible and synchronized with the music. 00:15–00:20 — QUIET FRACTURE Drop the arrangement to filtered electronics and a sustained guitar texture. Match-cut to the lead alone in the adjoining hallway, with the ballroom visible behind him. Use a slow push-in with a 35mm lens. He sings softly in an original male voice: “Now every crack is letting go.” His expression shifts from restraint to resolve. He turns toward the ballroom. Cut on the turn. 00:20–00:25 — CHORUS RELEASE Cut to a full-band wide shot as heavy guitars and forceful live drums return. The lead sings with powerful, rough-edged intensity: “I won’t disappear inside these walls.” Use an original vocal identity. He bends his knees and leans into the phrase with grounded balance. The second vocalist adds a brief harmony using the same lyric, without introducing additional words. Make a fast, physically plausible lateral camera move past an amplifier, revealing the whole band through foreground parallax. Cut to the drummer on a strong accent. 00:25–00:30 — FINAL HIT Alternate between two readable compositions: A medium close-up of the lead finishing the chorus phrase. A low full-band view with the guitarist and bassist moving to the rhythm. On the final coordinated hit, the drummer strikes a cymbal, the guitarist and bassist stop their picking hands, and the lead lowers his microphone. Rapidly pull back through the doorway, leaving the band framed within the ballroom. Hold the final second as the cymbal vibrates and guitar feedback decays into natural room reverb. CAMERA & PERFORMANCE REALISM 18mm: Low-angle performance shots. 24mm: Handheld proximity and intimate wide-angle portraits. 35mm: Emotional portraits and the hallway push-in. Physical camera momentum, short push-ins, restrained Dutch angles and beat-driven hard cuts. Preserve facial identities during movement. Show real skin texture, slight perspiration, weighted clothing and firmly planted feet. Maintain believable hand positions, instrument handling, microphone cable movement and drummer contact. Keep impacts, picking, plucking and vocal delivery synchronized with the soundtrack. LIGHTING & COLOR Cold daylight enters through tall windows. Warm practical lamps provide subtle illumination at the room’s edges. Use muted teal, charcoal, tobacco brown and dirty cream. Preserve deep, detailed shadows, gentle halation, subtle film grain and restrained saturation. No concert lasers or glossy studio lighting. ORIGINAL AUDIO Build an original alternative-rock/electronic arrangement at approximately 100 BPM: Opening: Sparse electronic pulse and quiet room ambience. First impact: Distorted guitars, heavy bass and forceful live drums. Rhythmic section: Tight instrumental support beneath the second vocalist. Hallway section: Filtered electronics and sustained guitar texture. Chorus: Full-band intensity with a brief supporting harmony. Ending: A coordinated final hit, vibrating cymbal, natural room reverb and fading guitar feedback. Use only these lyrics: “I kept my voice behind these walls.” “Now every crack is letting go.” “I won’t disappear inside these walls.” No existing Linkin Park lyrics, melodies, samples or cloned voices. AVOID Changing identities; swapped instruments; extra band members; incorrect finger placement; disconnected straps; floating cables; drumsticks passing through drums; unsynchronized impacts; duplicated limbs; plastic skin; impossible camera moves; excessive slow motion; captions; logos; watermarks.