PART 1 — 0:00 to 0:30 (two shots, one hard cut at 0:04) SHOT 1 — 0:00s–0:04s — Static close-up: gian

PART 1 — 0:00 to 0:30 (two shots, one hard cut at 0:04) SHOT 1 — 0:00s–0:04s — Static close-up: giant hand, tiny butterfly, hills behind 0.0–1.4s: Her giant right hand rests palm-down on crushed grass, foreground. A 5cm butterfly sits closed-winged on her fingertip. Rolling hills, hedgerows, and 5+ distant grazing cattle visible softly out of focus behind. Butterfly opens/closes wings once. Distant cows chew, shift. 1.4–3.0s: Butterfly lifts off in irregular flutters, drifts up-left, exits frame. 3.0–4.0s: Empty fingertip holds; herd still grazes on hillside behind. Hard cut. SHOT 2 — 0:04s–0:30s — One continuous take, static then slow pull-back 4.0–5.4s: She lies still, eyes closed, in profile — crown screen-left, chin screen-right, head thrown back, throat exposed. Chest rises/falls once. Hills, horizon, and 8+ grazing cattle visible on both sides of her head behind her. 5.4–7.0s: She slowly opens her eyes, gaze drifting up into the sky. 7.0–7.8s: Lips purse into a soft round shape. 7.8–11.0s: She inflates a soap bubble from her lips, growing in full view above her mouth. One orange-and-white goldfish visibly swims and turns inside it, fins trailing. 11.0–12.0s: Bubble pinches off, hovers one second, fish still turning inside. 12.0–12.2s: Bubble pops — membrane tears, ring of flying droplets. 12.2–12.8s: Water sheets down her face; the goldfish falls and lands flopping on her cheek. 12.8–13.8s: She notices it calmly — one slow blink, eyes shifting down, brief brow movement. No startle. 13.8–14.2s: Her LEFT hand rises into frame and picks the fish off her cheek between thumb and index finger. 14.2–17.5s: She sits up at normal human speed — camera begins its slow continuous pull-back on this exact frame. Grass compresses under her push-off arm. Shoulders, tank top, skirt, and more hillside/herd come into view as camera retreats. 17.5–19.2s: Now in wider frame with the river visible right-side. She glances at the fish in her left fingers, turns shoulders slightly, and tosses it with a loose, offhand wrist flick — no wind-up. It arcs high and visibly across the golden sky. 19.2–21.4s: The fish lands cleanly in the river with a small real splash and spreading ripples. Two nearby cows lift their heads at the sound, then resume grazing. 21.4–24.0s: Camera keeps retreating/rising, revealing her full legs, skirt, tights, shoes across the hillside; cattle appear along her leg-line and both riverbanks. 24.0–26.5s: She draws her knees up, wraps both arms around her shins, settling into profile at frame-left facing screen-right. 26.5–30.0s: Final held wide frame: she sits curled in profile at frame-left, valley and river filling the right two-thirds, 14+ cattle scattered at multiple depths, golden light, long shadow cast across the field. Frame holds static to the cut. Last frame of Part 1 (freeze this exactly): Wide shot — she sits curled in clean profile at frame-left (roughly x 6%–42%, y 22%–82%), knees hugged, chin lifted slightly, facing screen-right. Valley, river, hills, and 14+ scattered cattle fill the right two-thirds of frame. Low golden sun near right horizon. Static camera. PART 2 — 0:30 to 0:45 (single continuous take, 15s) (Opens on the identical frame: she sits curled in profile at frame-left, knees hugged, valley/river/cattle behind her, same golden light, same static wide framing.) 0.0–1.5s (30.0–31.5s): Frame holds static exactly as Part 1 ended. She sits still, watching the valley. Wind moves the grass. Cattle graze at multiple depths. 1.5–3.0s: She turns her head slowly along the horizon line, taking in the valley. 3.0–5.0s: Slight, subtle shift of weight — settling deeper into the pose, arms tightening slightly around her knees. Grass around her sways. 5.0–8.0s: A gentle breeze moves through in a visible traveling wave across the grass toward camera; hair strands lift slightly; sun sparkle flickers on the river surface. 8.0–11.0s: Cattle nearest her shift position naturally — one lowers its head to graze, another takes a slow step. Cloud shadow drifts slowly across the far hillside. 11.0–13.5s: Very slow, almost imperceptible camera creep — the faintest push-in toward her profile, emphasizing scale against the valley (or camera remains fully locked if a harder static ending is preferred). 13.5–15.0s: Final settle: she remains still, chin lifted, gazing out over the valley. Frame holds. Wind continues. No music, only ambient wind, distant cattle lowing, faint water sound. Cut to black.